Garden Prelude

Finally rain
has misted the dry spring
distanced neighboring trees
trickled down maple trunks
like runnels of black paint.

Her threadbare yard
sags
like mouldy wet leather.

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Poetry: j’accuse!

When I am preparing to announce that I am a poet or have written a new poem or am reading a poem, I find myself searching for a way to say it without employing the words “poet”, poetry” or “poem”, because I know it will deter most people from reading or listening or giving the announcement any respect or even interest. Underneath it all, when I go public with it I feel defensive; I am embarrassed for my art. I find myself wondering if this has to be so.

The poet has through history often occupied a place of incredible power, as witness Celtic clans that, having to choose between fighting the rival clan’s poet or best warrior, would chose to fight the warrior, as there was more chance of victory against the sword than the words; hence the expression, the pen is mightier than the sword.

How we have fallen! In this age, if you say there will be a poetry reading, Continue reading

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Review: blood.claat: one oomaan story by d’bi.young anitafrika

As I watched this tour de force one-woman show performed by the playwright herself, I was struck by her ability to project and maintain a high intensity of very colourful and passionate expression, and to switch ingeniously among a variety of clearly defined characters. As well, I was impressed by the very effective and visceral soundscape and the simple, but flexible and appropriate set, as well as the tight unity of the script, which is very focused upon its thematic base: various manifestations of blood in the life of a young Jamaican woman.

As if those successes are not enough, Anitafrika successfully navigates the tricky territory of her central manifestation of blood: menstruation. This taboo subject is represented to us physically by the fabrics that the central character frantically Continue reading

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