Like Celine

Oh, I almost forgot.
At about three, this girl comes in
while I’m on the phone
and just stands there
with this piece of paper in her hand
and she’s like, holding it on the counter?
I catch a glance while I’m telling Teddie
all about the silliness at Jackie’s last Friday—
and it was that one—oh, you know,
that album with all the hair
like snakes, out about a foot from her
head in all directions—
I think—I know— my god,
she wants me to do that to her!
And I’ve never seen her before!
I finished off with Teddie, said it was an emergency
or something,
and asked the poor thing
if there was something I could do?
And she tells me she wants to look like Celine.
Well the poor thing doesn’t have
Celine’s cheekbones
or her long horsey face that needs a foot of extensions
writhing on each side of her head to compensate
Who could walk around with that?
She’d need to hire a staff of shepherds
to walk around with long crooks
just to keep it from running away!
I looked her right in the eye
and I said Honey, why you need to look like Celine?
Well, she starts this tale of woe—
all these folk have soap opera lives—
like how this boy she works with
is never going to notice her
and she’s got her whole paycheck
and she’s going to blow it on
this Celine thing with her hair
to win the day.
I see a tear growing
in the corner of her eye
and I see her fingernails chewed down
and her sorry excuse for rewashed
and resewn clothes
and how her coat isn’t warm enough
and how she’s too plain
and too forgettable
and how nothing in her life
ever has been or ever will be enough.
She sure can’t afford
the three hundred dollars
that do would cost, but I think what the hell, it’s Christmas;
I can do something for her.
So I look her in the eye
poor little pimply plug,
and I say sit in that chair, girl:
if you’ve got ten dollars there,
I’m going to make you look just like Celine.
Got to go, Hon; my two o’clock’s here.
Come right in, Mrs. Mac: sit down, and I’ll be right with you.

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artist

Old Bob, now: he didn’t just shovel snow
like the rest of us; he’d sculpt it.
Oh, he’d clear the driveway, walk, of course;
but it was what he did with the snow:

shoveling was just a process of gathering
materials for his way of remembering.
The driveway could be long clear, but Bob
would still be working on the mound,

shaping it into a breast or shoulder.
You could walk through the neigbourhood
spot a throat here, a lovely smooth back there,
a knee, thigh—all much bigger than she.

Course, she was long gone: died in that
awful accident out on the fifth concession.
He was driving: snootful; missed Dead
Man’s Curve; lay beside her half dead
while she bled out: glass cuts. Summer
he whittles.

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speculation

you can’t drink whisky outdoors
when snow hovers over the ground
and ice is what trickles
from your nose in self-defense
and breath is fire that you inhale
through a hard wool scarf
and fingers exposed turn
raw red then white then black
and toes packed too tight
imitate fingers but faster
and you have to keep your toque
down snug to keep your ears
soft enough to stay on your head
—then what is summer?

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