At first, I was somewhat concerned that the striking modern metallic set was sterile place for this comedy; but it soon became evident to me that it was really a superb visual context for the over-the-top style of the piece. Now let me explain: upon entering the theatre, the audience is greeted by an enchanting aqua tinted entirely metallic space, featuring a model of what might be a galleon under full sail and a tiny portrait of the Queen. This set features a number of witty contrivances that allow quick insertion of furnishings and occasionally even characters, much to the delight of the audience. The technical virtuosity Continue reading →