Writing with a cat on my lap

She’s purring on my lap right now,
Countess, who shredded my arm
two days ago, trying to kill Katisha,
whom I imprudently carried past her.

Katisha, our resident Abyssinian:
such huge dark eyes, long limbs,
tiny head, huge ears and supple grace
she inherits from her desert ancestors.

Countess: smaller, not so aristocratic,
also Abyssinian, but redder, cuddly,
with a troubled past: health issues
that have brought her to our fostering care.

Now she has left my lap to prowl
along the top of the warm radiator,
head down, a tiny lioness seeking
something she will not disclose.

I want to keep her longer than
the proposed three months, although
her plans include an assassination
I must oppose: but oh, she’s purring.

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in her defense

Did you read her letters
about the garden? Not yet?
You should; they shed
considerable light
upon her state of mind
in the months leading up to
the whole nasty business.

In May, third week,
she wrote about her garden,
and it’s quite telling.
She can’t wait for the carrots
to come along;
she wants to pull them
out of the ground and
lick them clean,
sharpen them
she says,
then use them for something
that frightens her:
swords maybe in a desperate
stand that nobody wants,
least of all she.

I hear them
the evil ones
they whisper behind the trees
at night around the house
they are coming
,
she says, underlining the word
with force that breaks the lead.
She has tried to wipe away
the tiny spray of graphite
from the page:
smeared fingerprints bloom
down the side of the page.

Her final words
almost indecipherable:
they have no eyes
but see me better
in the dark
the only hope

she scribbles over the word
and writes chance
is to chop off their wings

investigators found the note
in the crib inside a cornhusk baby
shaped by multiple twisted
roots and braided strips of basswood,
surrounded by shards of broken carrots.

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That Story

Oh, I could spin you a yarn that would enchant you
with pungent love potions concocted in golden ewers,
conveyed on the heaving backs of magical flying steeds
to eager lissome lovers led to each other by knowing stars.

But the truth is even more magical, more wonderful.

The story is set in a city on streets and in buildings:

as unerringly as ancient stone crafters fit each stone
in Machu Picchu or the Great Pyramids or Stonehenge,
so the letters, choices, drinking laws, decisions
of many people in several cities made it inevitable
that you and I should say hello and all else fall away.
Weather didn’t matter— we, impoverished students,
would walk as close, rain or snow, arm in arm, as we could.
Until here we are, fifty-three and a half years later,
arm in arm participants in our story, that story.

And the weather still doesn’t matter.

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