[Written the day after having been one of the performers to read Dickens' A Christmas Carol to an audience of several hundred.]
[First, the reader surrenders to text; then the audience
surrenders to the reader's surrender.
Being a ham helps: Dickens' text is highly developed
melodrama, written when that form of expression
was probably at the height of its development.
Nowhere is Dickens' involvement in his action more
evident than in his confession that he wept as he
wrote the death of Little Nell.]
Reading the first few words out to the darkened audience,
words lying on the inert white (more…)
The schedule is set: the printout sits on the little table
beside the bedroom door. Twelve items, from “2:00 p.m.
Set-up”, to “10:00 p.m. Time to pop the cork…”—
the well oiled machine is ready to roll. Except my tongue,
which feels as if someone is squeezing one side with pliers.
A quick sound check before breakfast (more…)
When I revisit the poems I wrote here
under all these layers of since,
I delve drifiting sands, find amphorae
of seeds: they plant themselves
and bloom afresh: orchids, (more…)
The smile on the stage, on the street, at the office
is not the same as the smile in the quiet room,
at the mirror, at the furry creature beside you.
The one is armour, a mask built according to a formula;
the other has no recipe, but issues naturally from
joy. It is the flower in the forest, the vacation that
you can’t take; it takes you. No airline can (more…)
He plays his guitar left-handed, brings back the day they played Shea,
the Fab Four, forty-four years ago. Then, they played over baseball speakers
at fans screaming so loud that nobody could hear the static or the band.
Now, he is a time machine, giving us a trip to the perfect moment sculpted
by a billion memories into the quintessence of pure joy. Today, the screamers
are parents and children and their children: they sway (more…)